Zahir Kahn is rewriting the rules of filmmaking, and honestly, it’s nothing short of groundbreaking. This guy didn’t just dabble in AI—he mastered it, flipping the script on how stories can be told. Coming from a decade-long career in VFX, Zahir didn’t just see AI as another flashy tool; he saw it as a game-changer, a way to revolutionize storytelling itself. His unique blend of biblical epics and dark fantasy isn’t just bold—it’s a direct challenge to Hollywood’s comfort zone.
In our conversation, Zahir opens up about how AI has supercharged his creativity, unlocked jaw-dropping opportunities, and put the power back in the hands of independent filmmakers. If you’ve ever dreamed of bypassing the gatekeepers, this is your blueprint.
What drew you to AI filmmaking, especially with your extensive background in VFX?
My background in VFX taught me that most of the work is problem-solving, not just creativity. When I saw what AI tools like MidJourney could do—taking something that would take me weeks and completing it in seconds—it was mind-blowing. At first, it was a little scary, but then I realized it was liberating. It lets me focus on the challenging, creative aspects of storytelling while speeding up the workflow for everything else.
Your storytelling approach combines biblical narratives with dark fantasy. What inspired that direction?
I grew up in religious communities—Christian, Muslim—and I’ve always loved those stories. They’re rich, complex, and already written, waiting to be reimagined. For me, it wasn’t just about targeting an audience; it was about telling the stories I love. The audience came naturally after that. The Christian and Muslim communities are some of the largest in the world, so blending biblical themes with dark fantasy tapped into something universal.
You’ve shared that AI has opened significant opportunities for you. Can you elaborate on those?
Absolutely. Since my YouTube and TikTok channels started growing, I’ve been approached by producers globally—some from major studios, others from independent platforms. They’re interested in everything from creating AI-driven trailers for books to full-length feature films. One of the most exciting opportunities is with a platform negotiating to make my film Return of the King—which covers biblical stories from creation to the second coming—exclusive to their service. These deals aren’t just small offers; we’re talking budgets of a quarter-million to half a million dollars.
For aspiring filmmakers considering AI, many are afraid of backlash or fear AI is destroying the industry. What’s your take on that?
The backlash feels louder than it actually is. It’s mostly a small, vocal group. The general audience—the real consumers—don’t care how a film is made as long as it’s entertaining. That said, AI isn’t here to replace creators; it’s a tool. It automates the redundant parts, but the real storytelling, the human emotion—that’s irreplaceable. For anyone hesitant, I’d say now is the time to dive in. The opportunities are vast, but they won’t last forever.
You’ve also created a masterclass on AI filmmaking. What’s unique about your approach?
My masterclass isn’t about creating random AI visuals or discovering styles. It’s about storytelling—character consistency, emotional performance, and crafting a narrative that resonates. Anyone can make cool shots with AI, but creating a film that connects with an audience? That’s the hard part. That’s where the value lies, and that’s what I teach.
If Hollywood doesn’t embrace the kind of films you’re making, how are you managing to succeed independently?
Hollywood wouldn’t touch these kinds of films—biblical epics mixed with fantasy. That’s why I stopped waiting for someone to greenlight my ideas and took control. With AI, I can create the films I want on a fraction of the budget. Traditionally, these films would cost $50 to $100 million to make. Now, I can do it independently while building an audience that directly supports my work.
Do you see AI democratizing filmmaking for others like you?
Absolutely. AI is opening the door for people who would never have had access before. It’s no longer about pitching to studios or hoping for a big break. You can create, distribute, and monetize your work directly. Some kid in Ghana or Nebraska could create the next Star Wars on their phone. It’s an incredible time to be a storyteller if you’re willing to adapt and learn.
What advice would you give to filmmakers looking to start their journey with AI?
Decide your goal. Are you building an audience? Offering services to studios? Creating your own brand? Whatever it is, focus on storytelling. Don’t waste time chasing styles or random visuals. The hard part is crafting something emotionally engaging and consistent. If you can master that, the opportunities are endless.
Zahir Kahn isn’t just imagining the future of filmmaking—he’s building it. As he continues to push boundaries with AI, he’s proving that the tools of tomorrow are already here for those bold enough to use them.
