{"id":354,"date":"2024-08-15T11:34:12","date_gmt":"2024-08-15T11:34:12","guid":{"rendered":"https:\/\/www.bypasshollywood.online\/?p=354"},"modified":"2024-08-15T11:38:11","modified_gmt":"2024-08-15T11:38:11","slug":"interview-with-luka-tisler-embracing-ai-to-unlock-creative-potential","status":"publish","type":"post","link":"https:\/\/www.bypasshollywood.online\/interview-with-luka-tisler-embracing-ai-to-unlock-creative-potential\/","title":{"rendered":"Interview with Luka Tisler: Embracing AI to Unlock Creative Potential"},"content":{"rendered":"\t\t
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What did you do before AI became popular? What\u2019s your background?<\/span><\/p>\n My background spans 18 years in various areas. <\/span>My career<\/b><\/a> is quite nonlinear; I started late, in my early thirties. I began with video production, moved on to post-production, visual effects, compositing, then to motion graphics, motion design, graphic design, and 2D animations. Everything visual is my domain.<\/span><\/p>\n How do you use AI now? What sets you apart from others who might just find an image and edit it?<\/span><\/p>\n I began about two years ago with Midjourney and Stable Diffusion. Like most AI creators, I started exploring, but I wanted more. Stable diffusion is a rabbit hole for the curious, and I dove deep. I moved on to ComfyUI, which opened up even more possibilities. I\u2019m constantly discovering new workflows and testing emerging technologies. My curiosity keeps me at the forefront, always learning and applying my knowledge to real projects.<\/span><\/p>\n You are creative yourself. What have you been creating? What tools have you been using?<\/span><\/p>\n I\u2019ve been creating a lot of imagery and, more recently, <\/span>AI videos<\/b><\/a>. I\u2019ve been into moving pictures since the early stages of AI, starting with DiscoDiffusion, then WarpDiffusion, AnimateDiff, and now with tools like Runway, Luma, and Kling. I\u2019m getting a lot of inquiries for videos, especially for events and artists.<\/span><\/p>\n Many artists are concerned about AI “stealing” snippets of their work and cobbling it together. What are your thoughts on their criticism?<\/span><\/p>\n I understand the concerns. These models were created without the consent of artists, which is an issue. But Pandora\u2019s box is open now. While some artists\u2019 styles are embedded in the models, copying doesn\u2019t lead far\u2014it\u2019s just a reproduction. AI, like humans, learns by exposure. Just as we are influenced by what we see in galleries, AI recreates based on what it has been trained on, guided by human input. Critics often haven\u2019t tried creating with AI; it\u2019s not just a couple of words and a button. It\u2019s a process, and developing something truly special requires a deep understanding of what you want to create.<\/span><\/p>\n If you were to fix the models to make them fair to the original artists whose work was sampled, what would you suggest?<\/span><\/p>\n It\u2019s a tough question, but I believe we could learn from the music industry. Sampling started in the late 70s, early 80s, and now there\u2019s a system in place where artists get paid when their work is used. A similar approach could work for AI. Artists could get a fair share of the usage. Big companies aren\u2019t focused on this right now, but regulations are needed. AI is moving fast, and we\u2019ll need some form of guidance, though it might get messier before it gets sorted out.<\/span><\/p>\nIn a world where technology is rapidly reshaping the creative landscape, <\/span>Luka Tisler<\/b><\/a> stands at the forefront as a visual AI specialist and content creator. As AI continues to stir both excitement and controversy within the artistic community, Luka offers a unique perspective on how this technology is opening doors for creatives, allowing them to pursue their passions in ways that were previously unimaginable. He is first and foremost an artist, who understands the challenges and controversy around using AI, but in this interview Luka argues that this is an extraordinary opportunity for artist who are willing to embrace it and offers a fair and equitable monetization business model that he says could transform the industry.<\/span><\/p>\n